![]() ![]() Nurse Bami tells Jim how he’ll know he’s found his finder: “The real thing is always more than you’re ready for,” she says. Deacon’s images enhance but do not overwhelm Hoban’s story, which holds its own potent magic. Dreamlike worlds of death threaten to engulf Jim, are beaten back, then gather strength and attack again. Small panels capture with marvelous powers of invention the hallucinatory nature of sickness. ![]() The ward nurse, Nurse Bami, an African woman “with tribal scars on her cheeks,” tells Jim that he must search for his finder, the animal in his head “who can bring you back from wherever the doctors send you.” Jim’s finder, it emerges, is a lion, and, in watercolors simultaneously delicate and taut with emotion, Deacon imagines Jim and his lion fighting his sickness. Hoban mixes poetry, art, and music in Nick's dreamy descent into the picture that will ostensibly lead him to his own private Trokeville. Turning it into a graphic novel is a tricky prospect, but Deacon (who illustrated Hoban’s Soonchild) is fully up to the task. Moe Nagic, who calls the work of art The Trokeville Way, tells Nick a sad tale of a lost love, a story inextricably linked to the painting. The late Hoban’s story about a boy battling a mortal illness was first published in 2001. ![]()
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